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Allen Heath QU-24

30 In / 24 Out Digital Mixer

Product Code: 69868

Retail Price: $3,499.00

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Description
With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQTM recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible and more compact than ever.

AnalogiQTM Preamps
Qu-24's twenty four AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

The Mixing Experience
Having massive processing power and advanced functionality is great, but it counts for nothing if you can't access the controls you need in a heartbeat. Once you start using Qu-24 you'll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow. It's not about recreating an analogue interface, it's about creating an experience that's fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all.

Touch Control
The 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

The SuperStrip
All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

Fader Automation
Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you're dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix. Qu-24 features 25 motorized ALPS faders, 24 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.

iLive FX
Qu-24's dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world's most respected audio engineers have chosen to use iLive's FX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you're not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ. Find out more about FX and processing for Qu

Total Recall
True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-24 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX can be saved as Library presets. This lets you store your tried and tested SM58 EQ or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu mixer.

USB Audio Streaming
Qu-24's built-in interface streams up to 32 selectable tracks to your Mac or PC.

The returns from the Mac or PC can be easily assigned to the Input channels.

The interface is class-compliant on Mac OS X – truly plug ‘n play. It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools.

An ASIO and WDM compatible driver is available for Windows computers.

Standard MIDI control is tunnelled over the USB connection so you can easily map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.

Qu-Drive
Forget soundcard drivers and software setup, Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz 24bit recording and playback straight to / from your USB hard drive. Capturing stereo or multitrack recordings of your shows has never been so easy. Multitrack audio can be played back to Mono channels 1-18. Stereo files from your hard disk can be played back to ST3.

ARMed to the Hilt
Qu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer's DSP farm exploits next generation dual core DSPs. With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu-24 is future-proofed, with ample room for updates and extra functionality. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

The Shape of Things to Come
Made from 18 gauge, cold-rolled Zintec steel, Qu-24's distinctive frame is designed for strength and rigidity. We've done unspeakable things to that chassis in the lab and it's taken everything we've thrown at it – even being stomped on by our resident ex-tank commander. Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu's sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.

Qu-Pad
Add the Qu-Pad iPad app to your Qu setup and you're free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. Qu-Pad requires the connection of a Wi-Fi router or access point to the Qu-24 Network port.

ME Personal Mixing System
Qu-24 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKETM port (or from an AR2412 Stagebox if you've got one connected to the dSNAKETM port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience. Find out more at allen-heath.com/ME

dSNAKETM
Qu-24 is a self-contained mixer, so if you've already got the analogue cables you're good to go. If you're thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24's dSNAKETM port has you future-proofed, allowing connection to a remote AR2412 or AR84 Stagebox. dSNAKETM is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390'. So if you're mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position.

SoftKeys
Qu-24 packs 10 SoftKeys for more user-assignable functions such as Mute Groups, Tap Tempo, Scene navigation or PAFL Clear.

4 Groups
Groups 1-4 are typically used as subgroups to LR for level masters and/or processing, for example to compress a drum kit or to tame multiple lavalier microphones with a single graphic equalizer.

The Matrix
Qu-24's Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O. It is a ‘mixer within a mixer,' fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks and fill / zone speakers where independent GEQ and delay is applied.
In Depth
  • 24 AnalogiQ Preamps
  • 5" Touchscreen
  • 25 Motorized 100mm Faders with Recall
  • 5 Core ARM Processor
  • Integrated iLive FX
  • Record Audio to Mac or USB Hard Drive
  • 48kHz/24-bit Resolution
  • iPad App for Wireless Mixing
  • dSNAKE Compatible

    Inputs
  • Mic/Line Inputs: 24x Balanced combo XLR/TRS jacks, fully recallable
  • Input Sensitivity: -60 to +10 dBu (XLR), -50 to +20 dBu (TRS)
  • Analog Gain: -10 to +60 dB, 1 dB steps
  • Maximum Input Level: +19 dBu (XLR), +29 dBu (TRS)
    Input Impedance: >5 kΩ (XLR), >10 kΩ (TRS)
    THD+N, Unity Gain 0 dB: 0.0005%, -89 dBu (20 Hz to 20 kHz, direct out @ 0 dBu, 1 kHz)
  • THD+N, Mid Gain +30 dB: 0.001%, -83dBu 20 Hz to 20 kHz, direct out @ 0 dBu, 1 kHz)
  • Stereo Line Inputs: ST1, ST2 Connector: Balanced, 1/4" (6.3 mm) TRS Jack, half-normalled
  • ST3 Connector: Unbalanced 1/8" (3.5 mm) mini jack
  • Input Sensitivity (ST1, ST2, ST3): +4 dBu/0 dBu, nominal
    Trim: +/-24 dB
  • Maximum Input Level (ST1, ST2, ST3): +22 dBu/+18 dBu
    Input Impedance: >7 kΩ
    Outputs
  • Line Outputs Mix 1 to 10, GRP 1 to 4, MTX 1 to 4, LR Out: Balanced XLR
  • Output Impedance: <75Ω
  • Nominal Output: +4 dBu = 0 dB meter reading
  • Maximum Output Level: +22 dBu
  • Residual Output Noise: -90 C31 dBu (muted, 20 Hz to 20 kHz)
    Stereo Output Alt Output & 2 Trk Output: Balanced 1/4" (6.3 mm) TRS jacks
    Source (Alt Output/2 Trk Output): Patchable/LR post fade
  • Output Impedance: <75 Ω
  • Nominal Output: +4 dBu = 0 dB meter reading
  • Maximum Output Level: +22 dBu
  • Residual Output Noise: -91 dBu (muted, 20 Hz to 20 kHz)
  • AES Digital Audio Outputs 2-channel
  • 48 kHz sampling rate
  • XLR Out
  • 2.5 Vpp balanced terminated 110 Ω

    dSNAKE
  • Inputs: Remote source for Channels 1 to 24, ST1, ST2, ST3
  • Outputs: Remote outputs for Mix 1 to 10, LR
  • Compatible with AudioRacks AR2412, AR84
  • Compatible with ME personal mixing system

    System
  • Dynamic Range: 112 dB
  • Frequency Response: 20 Hz to 20 kHz (+0/-0.5 dB)
  • Headroom: +18 dB
  • Operating Level: Internal Operating Level: 0 dBu
  • Alignment: dBFS: +18 dBu = 0 dBFS (+22 dBu @ XLR output)
  • Calibration: Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu @ XLR output)
  • Indicators Meter Peak Indication: -3 dBFS (+19 dBu @ XLR out), multi-point sensing
  • Meter Signal Indication: -48 dBFS (-26 dBu @ XLR out)
  • Meter Type: Fast (peak) response
  • Sampling Rate: 48 kHz +/-100 PPM
  • Converters: 24-bit Delta-Sigma
  • Latency: 1.2 ms (local XLR in to XLR out)
    0.7 ms (local XLR in to AES out)
  • Operating Temperature: 32° to 95°F (0° to 35°C)
  • Power: Mains Power: 100-240 V AC, 50/60 Hz, 120 W maximum

    Controls
  • Faders: 4" (100 mm), motorized
  • Touchscreen: 5" TFT, 800 x 480 resolution
  • Softkeys: 10
  • Mute Groups: 4
  • Network: TCP/IP Ethernet for MIDI commands and iPad app

    Input Processing
  • Source: Channels 1 to 24: Local, dSNAKE, or USB
    ST1, ST2, ST3: Local, dSNAKE, or USB
  • Stereo Linking Odd/even input pairs
  • Parameters Linked: EQ, dynamics, insert, delay, assignments, sends
  • Link Options: Preamp, polarity, sidechains, fader, mute, pan
  • Polarity: Normal & reverse
  • HPF: 12 dB/octave, 20 Hz to 20 kHz
  • Insert: Assign FX to input channels
  • Delay: Up to 85 ms
  • Gate: Self-key sidechain
  • Threshold: -72 dBu to +18 dBu/
  • Depth: 0 to 60 dB
  • Attack: 50 μs to 300 ms
  • Hold: 10 ms to 5 s
  • Release: 10 ms to 1 s
  • Equalizer: 4-band fully parametric, 20 Hz to 20 kHz, +/-15 dB
  • Band 1: Selectable LF shelving (Baxandall), bell
  • Band 2 & 3: Bell
  • Band 4: Selectable HF shelving (Baxandall), bell
  • Bell Width: Non-constant Q, variable, 1.5 to 1/9 octave
  • Compressor: Self-key sidechain
  • Threshold: -46 to 18 dBu
  • Ratio: 1:1 to infinity
  • Attack: 300 μs to 300 ms
  • Release: 100 ms to 1 s
  • Knee: Soft or Hard
  • Types: Peak manual, RMS manual, SlowOpto, PunchBag
  • Output: Channel Direct Out to USB: Follow fader, follow mute (global options)
  • Source Select (Global): Post-preamp, pre-EQ, post-EQ, post-delay

    Mix Processing
  • Insert: Assign FX into Mix channels
  • Delay: Up to 170 ms
  • Equalizer: Graphic EQ: Constant 1/3 octave, 28 bands from 31 Hz to 16 kHz, +/-15 dB
  • Parametric EQ: 4-band fully parametric, 20 Hz to 20 kHz, +/- 15 dB
  • Band 1: Selectable LF shelving (Baxandall), bell
    Band 2 & 3: Bell
  • Band 4: Selectable HF shelving (Baxandall), bell
  • Bell Width: Non-constant Q, variable, 1.5 to 1/9 octave
  • Compressor: Self-key sidechain
  • Threshold: -46 to 18 dBu
  • Ratio: 1:1 to infinity
  • Attack: 300 μs to 300 ms
  • Release: 100 ms to 1 s
  • Knee: Soft or Hard
  • Types: Peak manual, RMS manual, SlowOpto, PunchBag
  • Effects: Internal FX: 4x RackFX engines, Send>Return or Inserted
  • Types: Reverbs, delays, gated reverbs, ADT, chorus, symphonic chorus, phaser, flanger
  • 4x Dedicated Stereo FX Returns: Fader, mute, routing to
  • Mix/LR, 4-band PEQ

    Audio Tools
  • PAFL: PFL or stereo in-place AFL
  • 0 to -24 dB trim
  • 85 ms delay
  • Talkback: Assignable to any mix
  • 12 dB/octave HPF
  • Signal Generator: Assignable to any mix
  • Sine, white, pink, bandpass noise
  • RTA: 31-bands, 1/3 octave 20 Hz to 20 kHz
  • Follows PAFL source

    General
  • Dimensions (WxDxH): Desk Mounted: 24.9 x 19.7 x 7.4" (632 x 500 x 186 mm)
  • Weight: 31 lb (14 g)

Item Number: Allen Heath QU-24 [AH QU24]    69868 0-0
Have a question about the Allen Heath QU-24 [AH QU24]?
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Allen Heath QU-24 [AH QU24]

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