This combination of small and large diaphragm condenser microphones is universally applicable and consequently very economical and practical for musicians and their work in their own studios. Both microphones may also be used with great results for live/on stage jobs. Complete with standard accessories and an additional leaflet with tips & tricks for the daily use of these microphones.
C1000s The versatility of the C 1000 S makes this an extremely popular model, and one ideally suited for all kinds of recording and live sound applications. If no phantom power is available, the mic can be powered by a standard 9 V battery, making it perfect for mobile use. With its new battery monitoring electronics, the C 1000 S now features a reliable LED warning light. The red LED above the the microphone switch lights up when the remaining battery life falls below 45 minutes. The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the PPC 1000 Polar Pattern Converter provided to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz, improving clarity of speech and adding definition to instrument sounds.
C3000 The C3000 high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect.
Polar pattern cardioid, or hypercardioid (with PPC 1000 attached)